If you didn't get to attend Jeff Sears's release reading for The Worth of the Harvest: James Hearst and His Poetry, you can now stream it online. Click HERE to find out more about the first full-length literary biography of James Hearst.
Monday, 8 August 2022
Myles’s new chapbook What Woman That Was: Poems for Mary Dyer will launch on August 25 at the first Final Thursday Reading Series event of the season. Join us in the beautiful Hearst Sculpture Garden (rain location: Mae Latta Hall) for an open mic at 7:00 and Anne Myles at 7:30. Myles’s reading will also be simulcast on Zoom. Click HERE to register for a Zoom link. Pre-orders of What Woman That Was are available directly from Final Thursday Press and via Amazon.com.
Interview by Jim O’Loughlin
JO: A number of the poems in this collection are “persona poems,” written from the perspective of Dyer. How did you decide to take that approach? What were the challenges in finding the language to represent her immediate experience?
JO: Why do you want other people to know about Dyer? In what ways do you regard her as a significant figure in the present?
AM: The story of Dyer’s life–her courage, her agency, her allegiance to those she chose as her people–is remarkable, inspiring, perhaps confounding in any era. Though she is a venerated figure among Quakers, and known to those who study early New England, I want everyone to hear about her. But she has resonated for me at a new level in the years since 2016. Her persistence in witnessing against injustice seems incredibly relevant. As a high-status woman in her society (note that she was always “Mistress Dyer,” the elite designation, never “Goodwife Dyer”), she found powerful ways to deploy her privilege, to make an impact with it, even if her choices led to her death. I realize too how much the struggles she was involved in speak to border politics in the present: who is allowed into a colony or country? What is the penalty for violating the law? And as I’ve grown older, the fact that Dyer was herself what we would call middle-aged (she was about 49 when she died) has also felt important. Celebrating the older woman as heroine, as someone actively determining the course of her life, is moving and meaningful to me.